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#flowcharts

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AzureCerulean

@nixCraft

#LibreOffice

The #free and #private office suite is a powerful, free and private office suite the successor project to #OpenOffice used by people around the world. It's #compatible with Microsoft Office (#365) and is backed by a non-profit organization, The Document Foundation. LibreOffice includes Writer (word processing), Calc (#spreadsheets), Impress (presentations), Draw (vector graphics and #flowcharts), Base (#databases), and Math (formula editing).

libreoffice.org/discover/libre

www.libreoffice.orgWhat is LibreOffice? | LibreOffice - Free and private office suite - Based on OpenOffice - Compatible with MicrosoftLibreOffice, Free Office Suite, Fun Project, Fantastic People, Writer, Calc, Impress, Draw, Base, Charts, Diagrams, extensions, templates, word processor, text editor, spreadsheet, presentation, database, documents, Document Foundation
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michabbb

#Napkin.ai 🤖 is an #AI-powered tool 🛠️ that turns text into relevant #diagrams 📊, #flowcharts 🔀, #mindmaps 🧠, and #process visualizations 📈.

Users can #customize 🎨 the generated visuals by changing colors 🌈, adding icons 🖼️, and editing the text ✍️.

Napkin is #free 🆓 to use during the #beta period 🧪 and can be used to add engaging visuals to #presentations 🎭, clarify #complex ideas 💡, and enhance #blog/#newsletter content 📝.

fastcompany.com/91178294/napki

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Marian Dörk

one more week to see the excellent exhibition “The Roots of Our Hands Deep as Revolt - Entangled Colonialities of the Green” by Nyabinghi Lab at Kunstraum Kreuzberg/Bethanien, Berlin:

kunstraumkreuzberg.de/programm

i was especially taken by the expansive and intricate maps/networks by Moses März laying out connections and tensions between German colonialism, exoticism especially among expressionists, life-reform movement, and decolonial resistance.

moses märz Map 1: Expressionist Exoticism and Colonial Life-Reform 2023 This map traces the lifelines of representatives of the German life-reform movement (grey), and the exoticist strand among three prominent German expressionists (green). Both move-ments tried to distance themselves from German bourgeois society by turning towards idealized visions of 'nature' or 'foreign cultures which threy construed as pure and primor-dial. The notions of 'Relationale Okologie' (relational ecology) and 'Asthetik des Diversen' (aesthetics of diversity) on the left side of the map point towards a counter-project to the 'kolonialen Bruch' (colonial fracture), on the right side of the map. This conceptual break categorically divorced the human from the non-human realm and introduced a series of hierarchical oppositions on both sides. Although the grey and green lines set out to bridge some of these divisions, they remain locked inside a colonial imagination. Drawn with a red crayon, the map cites a series of exemplary decolonial actors in the arts, literature and politics, who are driven by a sensitivity for the radical diversity of the living and committed to fight for its protection. Map 3 takes up the concept of a relational ecology in greater detail. Maps 1 and 2 have been produced in the context of the exhibition "Expressionismus hier und jetzt! Die Sammlung Horn zu Gast in Dortmund" at the Dortmunder U (October 28, 2023 - February 14, 2024).
moses märz Map 3: Black, Red and Green 2023 This map traces the lines of argument in Malcom Ferdinand's book Une écologie décoloniale, which was published in 2019 (Decolonial Ecology, 2021), and which questions the division between antiracist and environmental movements from a Caribbean perspective. Malcom Ferdinand works against this break by indicating that the division between an exploitable 'nature' and an exclusionary vision of the human is at the basis of a global economic system which he refers to as Plantationocene. According to Ferdinand, environmentalism has traditionally focussed on protecting nature or saving specific animals while ignoring issues of social justice emerging from the genocide of Indigenous people, slavery and colonialism. In red crayon the map shows the forces resisting the traditions of rampant capitalism and such a one-sided ecological movement as performing what he calls a cosmopolitics of relation. From Ferdinand's perspective, the restitution of stolen art works - a struggle that Map 4 depicts in greater detail - is one of the key areas where bridges across the modern human/nature divide can be built. The kind of relational politics Ferdinand is calling for requires a radical shift from a modernist worldview considering the works of art in question as inanimate private property towards a respect for animist epistemologies that consider them to be endowed with a 'living force' that troubles the subject/object divide.
#flowcharts#decolonization#restitution
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