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#News #Deutschland #Europa #USA #Trump #Musk #Politik #Einflussnahme #Put.in #Russland #Ukraine

„Putins Freunde sollten keinen Einfluss auf Koalitionsverhandlungen in #Deutschland haben“

Die #Bundestagsabgeordnete von @gruene.de, Britta #Hasselmann, forderte #CDU- #Chef #Merz auf, „pro-russische Verbindungen“ in der #Partei zu beseitigen.

Sie wies darauf hin, dass ähnliche Positionen dem gemeinsamen europäischen Kurs und der Unterstützung der #Ukraine widersprechen.

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#ScribesAndMakers #TTMD @sfwrtr

@ianscraper

Many authors incorporate their own experiences and autobiographical elements into their stories. How is it with you? Which of your works contains the most of your personal experiences?

I hate to admit it, and I know a lot of people would disagree, but I don't consider myself a particularly interesting person. It may be one of the reasons I'm so bad at parties. Small talk. Scary. They'll think I'm an airhead. My shyness doesn't help that.

That said, I will admit some of the internal dialogue in my 1st person characters greatly resembles the character of my own. (Oh noes, now people will really give me dirty looks.) I do cook; that's definitely in my stories. I am rewriting a main character in an epic fantasy to be a fine art and event photographer because I can relate. I've done it; I can give details. I've even gotten paid. An evil character in a published book was my experience of my evil† stepfather. It provided a certain verisimilitude.

I'm not going to write about being a programmer, though, or sitting at a desk writing stories, or exercising each morning. Too, blah.

To say whether or not any story is even close to being autobiographical, or having more than the most peripheral personal experiences, is impossible.

I am Walter Middy.

Well, not really, but you get the idea.

————
† He was evil.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@anderlandbooks

Dear RS, could you choose one among your stories that's your favorite? Which one?

I could. It's a fan fiction novel, however, and I don't want to mix this pen name (the SF and Fantasy commercial author) with the other pen name. The good news is the plot lines and the major characters are my creation. I am rewriting many of the stories totally in my own universe, now.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr @amPennyfeather

What is one thing you've always wanted to share about one of your stories/your writing experience that you've never had an opportunity to share?

I can't answer that one off the cuff, I'm afraid. But I will say that my stories are often a reflection of how much my mother's life made her a hero for me. She was a 1st generation American and a black sheep in the family. She was a bailbondswoman in the 60s (and did her own bounty hunting), participated in the civil rights movement, and even (she said) burnt her bra. She raised me, while helping run companies, often as a single mom despite multiple marriages. She didn't take shit from men, except when she did. She was far from perfect, thus so are my characters.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@youseeatortoise

Why first person? What's the draw?

CW: I rambled.

I think 1st person the natural way people tell stories about what happened to them. Personal stories with all the warts are the best, I think. If you look at all my responses to all the prompts, you'll see I'm telling my story, and to get meta about it, I'm telling you my story now. This is actually my writing style.

To me, 1st person POV feels very personal and I feel it is relatable by all readers. Most people don't go around telling stories that happened to other people (3rd person in a nutshell), nor when they do so, do they feel comfortable asserting what those people felt about those events, especially if those events are impolitic or sexual. Maybe taking on the role of the narrator, they may say how they feel about the people who act they way they do in their story—but that's another level of complexity and can off as hypocritical. Furthermore, I feel betrayed when a 3rd person narrator doesn't tell the absolute truth. I expect truth from 3rd person, whether it's from the POV character's perspective, or a limited or an omniscient one.

It's very hard to master all the requirements of good 3rd person narration. It proved so for me. That said, my #RSMarsNeededWomen is the first 3rd person story I've written in many years. I chose that because 1st person isn't exactly a compact or concise POV, and fitting a novel into 31 long toots is hard.

In first person, as in life, the POV tells their story their way, making observations and commenting on what they feel about that. Imagine some embarrassing or revealing situation. How are you going to tell that story starting with the word I? Right, you will spin it. 1st person is all about perspective. Ours. We all censor. 1st person by definition is unreliable narrator, but as listeners we've learned how to read between the lines, to detect the white lies and black, and interpret the spin. Conversely, people may also be confessional. Maybe the POV wants to be seen in all their evil glory, or is simply rude and impolitic, but isn't so foolish as to let it leak out in word or deed. The dichotomy between private thoughts and public action can be breathtaking. Who doesn't like some unfiltered wise cracking and unvarnished cynicism, especially when paired with external integrity?

I hope that answered your question.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@Ink_Soul

Is there one story you'd like to write but haven't had the time to develop it yet?

Okay. Let's get meta with this.

My WIP Reluctance Series is that set of stories, though it wasn't "time" that was the factor in me never writing it. I came up with the idea in 1987 or 88. I always wanted to write a story devoid of patriarchy and always thought it as impossible to do as being an English speaker writing without using English. The concepts and behaviors seemed indelible.

Wrong.

It's risky. It violates societal norms. Ours. But I am doing it.

What becomes of men and women if life isn't about property and the sexual control necessary to insure a baby is genetically his?

My #RSMarsNeededWomen web-novel is a lite version of the concept with a totally different approach. It's an erosion of the concept until it's meaningless.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@willelm

You mentioned difficulty aligning with how your publisher and agent wanted you to write. Did you find new representation?

Nope. I burnt out in 2001.

Did you find another outlet for your [creativity]?

I turned to photography. This was the beginning of the digital age, where instead of having to wait weeks to see the result of my settings on the SLR (and never really remembering those settings), I could instantly see how lens setting A lead to result B. Aperture, focal length, shutter speed, even ISO made sense. I could see how colors contrasted with one another, and how darkness as well as light created volume and motion. And then I discovered bokeh.

I called it my short form. That's because I'd only considered myself a novelist previously.

How'd you deal with [not writing and wanting to]?

I could not not write, so by 2015 I had some days of reckoning, figuring out what went wrong and what I was doing wrong. My agent wasn't entirely wrong about my writing. It needed work. I fell out of POV often enough it was annoying (but fixable), and my grammar sucked (okay, it was Grammar B and I didn't yet know it AND I hadn't perfected it, so there, the bald face ugly beautiful truth.) But I also realized it was that I compared my writing to that of the 3rd person close POV writing of authors like C.J. Cherryh. Her's is the gold standard (or was) for publishing SF. I adore her writing.

But, if you analyze it, that style is really 1st person written in 3rd person.

OMFG? Right? Writing in 1st person also has built-in error correction. Think about it. The "I" POV is so obvious that you can't help but correct slips without thinking. For example, I can't know what anybody else thinking. 3rd person with different forms like close, limited, omniscient, narrator as a character, etc., is quite complex.

So, in 2015, I was enjoying a certain show. I followed the fandom to learn more and discovered a thriving fan fiction community. I wanted to write what really happened to lead up to things that happened in certain episodes, or what characters ought do next. As an excuse, because I had convinced myself that writing fan fiction was totally amateur and unseemly, I decided to use it to perfect writing in 1st person.

It changed my life.

You mentioned difficulty aligning with how your publisher and agent wanted you to write. Did you find new representation?

Now that I am writing commercially, I haven't decided whether I will find new representation. I'm not sure there's a successor agency to my old agent.

I know some indie authors and they've advised me. I may go indie. I've also have been told by author friends that if they like something I show them, they'll introduce their agent. We'll see what happens. I've got many unfinished projects running in parallel, so I'm not there, yet.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr @saposcat

Did 'Laugh In' contribute to the imaginary play at all, or was it just background? Do you still like some sort of background noise when you're creating?

I was maybe 7 when I played in front of the TV with LaughIn while playing with my… were they dolls or action figures? I used to have a unique skill at multitasking, so I probably followed the comedy, but I was unlikely playing pretend with Artie Johnson on a tricycle annoying Ruth Buzzi.

When I was a teenager, all through high school, I always had the TV on, especially when doing my homework. When you've seen all the reruns of Doctor Who, Speed Racer, Kimba, Green Acres, F-Troop, Gilligan's Island, and Star Trek, it's easy to use it as background and still enjoy the best parts!

More recently, I love electronica, house, and progressive music. While programming. While writing. The beat can accelerating my heartbeat and my thinking. But it becomes truly background to a point that I forget to turn it on unless I need it to block out noise.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr @art_of_goulwenr

RS as (Audi) RennSport or as Renault Sport ?

Disambiguation: RennSport (game) vs. Renault Sport (car).

/// M Sport IRL 😁

Not much of a gamer these days. All that damn writing going on!

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@gahlearner @saposcat

  1. When do you write your cookbook? 😁

Probably never. However, if you follow me I show photos of my cooking, and sometime share enough of a recipe for those who cook to follow. When I get my act together and make an author website, I may have a RS Cooks section with this stuff. Remember, you need to keep people returning to your website over years so they remain aware of your new books!

  1. Do you bake (like that) too? I mean, I'm a lousy cook but when I cook I often improvise too. But never with baking.

I used to bake. I had two breadmaker machines! But I am very much low-carb now. (It's why I substitute cauliflower for rice in my paella, for example.) I have to watch my salt intake, too. My pork chop on the bed of kale, onions, butter, pecorino, and edamame linguine was low-carb. The edamame pasta has 1/5th the carbs of regular pasta, much of them as fiber instead. It has a better taste and a similar mouth feel, too.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr @willelm

How are you trying to keep from burning out in the future? Any tips or tricks to share for others when they get burned out?

My incessant answering prompts on Mastodon surely helps! Especially this one thing I learned here, which reaffirmed something I knew:

Write stories you want to read. For crafters or artists, craft what you want to use (I love what I cook) or paint what's beautiful to you. I love my photos. Be your first audience.

But it's up to you whether you are your only audience. Is that okay for you?

For me, sadly, no. That's why I burnt out. I was failing to communicate. Getting my ideas into other people's heads was very important. Worse, I was writing in the way publishers and my agents insisted I must. It made made my efforts harder and my lack of success more sour.

However, you asked for tips to prevent it:

  • I found that writing fan fiction solved my not-communicating problem. I found the right fandom for me and couldn't avoid the feedback. I wasn't writing SF (except in stealth mode), it wasn't commercial, but it did satisfy, and I did communicate with readers.
  • Whilst not for me, joining a writer's group does help others. Make sure they understand the Clarion critique ethic where you consider the work and never attack the writer, you give constructive suggestions, and most importantly, only the author gets to decide if the advice is relevant. Keep it social and professional at the same time.
  • I stop writing, crafting, painting, whatever, when it isn't fun at some level. I do something else. This goes hand-and-hand with not expecting to make a living doing what I love, which means I can pick it up some another day or another year. If becoming a bestselling author as soon as possible is what drives you, this might not work. Sadly, in my first career, I wanted being an author to be my actual career. Maybe not hard enough.
  • I try to recognize whether I'm being too hard on myself. In the realm of art, nothing is the Right Way™. I've seen plenty of artwork that looks unskilled in museums or as wall art. It's the expression and meaning that counts, and being persistent.
  • The other part about being too hard on oneself is something I fight daily. Judging my content by the imagined standards of others. I don't know if my stories will offend, for example, and it can be paralyzing and become unbearably uncomfortable. I constantly have to watch myself for that. I practice a zen thing here. I recognize it, ignore it, and simply write anyway. Revision is always an alternative, but I need to complete the story first.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@HeliaXyana

[I] fear sending my female MC into the kitchen as it might be considered anti feminist. Are there any key aspects I could keep in mind to avoid this?

It is all about the point you are trying to make.

All cultures cook.

Sure, she could be trapped by her gender role; it can be the only creativity she's allowed; you can emphasize subservience and frustration that leads to a break. That's one story. Or the kitchen could be a solace she escapes into, a place where she can stop fighting and eat by herself where nobody will judge her cooking her mother's recipes as weakness.

For me, feminist writing is about self-determination and agency contrasted against either the gender roles in the story or in those in the reader's head. As a writer, you must entertain. That doesn't mean you can't enlighten.

My current story breaks the rules. She's a fighter, but learns it works better when she works with the system instead of against it. She marries because she has to, but does get the pick of the litter. Gorgeous. She has five children, all girls. She even cooks for her husband, whom she adores, but we get that scene is a special occasion. What's important is she's also escaped being a housewife to become an engineer (her dream) on colonial Mars, and her specific efforts shapes that world's female future (and maybe ours). Along with her woman friends and her girls, the reader watches gender roles melt to insignificance..

To answer your question: Assert what's true for the character in her quest to become more than she's allotted. The fear you feel is you imagining other people's judgement. Feminist writers always make somebody angry.

[Author retains copyright (c)2025 R.S.]

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